HISTORY OF THE GUILLOTINE
Primitive ancestors of the guillotine were used in
Ireland, England and Italy in the 14th and 15th Centuries. Several known
decapitation devices such as the Italian Mannaia, the Scottish Maiden, and the
Halifax Gibbet are well documented and may pre-date the use of the French
guillotine by as much as 500 years. The following deals mostly with the modern
guillotine from the late 18th Century until today. It is not meant to be a
complete history or even a complete overview of the history as this would take
hundreds of pages. Instead consider it a brief introduction to the subject
highlighted by a few good pictures.
DOCTEUR GUILLOTIN
Contrary to popular belief, Doctor Joseph-Ignace
Guillotin was not the inventor of the machine. He was a medical doctor and
lawmaker who in 1790 proposed that the death penalty should be equal for all,
regardless of social rank and nature of the crime. It would be carried out by a
swift mechanical device to eliminate suffering. His idea was derided at first
but later the National Assembly revived it and them adopted it in 1791.
The document making the death penalty "by
mechanical decapitation" the law of the land in the Kingdom of France was
signed both by Dr. Antoine Louis, secretary of the National Academy of Surgery,
and by Louis the 16th., who was still King of France. Dr. Louis was the author
of the technical portion of the document. He explained that this method was the
only "humane" mode of execution which insured the condemned a swift
and painless death. A copy of the law was distributed to all the provinces for
immediate implementation. To the right are the four pages of an original 1792
copy of the law sent to the department of Orne and hand-marked as No 76
The ministry of justice proceeded quickly following
the enactment of the law. They assigned the task of designing and building Dr.
Guillotin’s machine to Antoine Louis, who hired a German harpsichord maker
named Tobias Schmidt to actually construct it from his design. This pair were
the defacto inventors of the modern guillotine. The prototype built by Mr.
Schmidt may or may not have had the characteristic angled blade. The machine
was tested on animals and cadavers to insure its reliability. It was first used
in the execution of Nicolas Pelletier, a common criminal, on the 25th of April
1792. The deadly machine quickly moved on to more famous victims such as Louis
XVI, Marie-Antoinette, Charlotte Corday, Danton, Robespierre, and many others.
Tobias Schmidt lost the contract for building additional machines, therefore we
do not know the precise details and appearance of his original apparatus.
A great number of guillotines were manufactured in the
following few years to meet the demands of the blood-thirsty Revolutionary
Government. Guillotines were dispatched to every province and city in France
and soon after to conquered neighboring countries as well.
THE REVOLUTIONARY GUILLOTINE – 1792
These guillotines were all of similar construction
using Tobias Schmidt's principles but maybe not his actual design. They are
usually referred to today as "The 1792 Model Guillotine". Due to the
large number of these guillotines manufactured during the years of the great
Terror (1793-1794), several machines from this early batch have survived to
this day. Among the surviving “1792” machines are the ones displayed in museums
in Venlo (Netherlands), Liege and Brugge (Belgium), as well as one stored in
Musée national d'histoire et d'art in Luxembourg. This guillotine represents
one of the best preserved examples of a 1792 machine.
Newer versions of the 1792 design were built in the
1800s and can be seen in photos from New Caledonia, Reunion Island, and
Senegal. These photos are dated from the early part of the 20th Century. The
design of these machines is very similar to the oldest known 1792 version so
they would fall under the general category of a 1792 model. The machine from
Reunion Island was used until 1954. It was returned to France in 1984 and is
currently stored in the basement of Musée National des Prisons in Fontainebleau
along with the Berger guillotine used in Martinique in 1964 and 1965. Both
disassembled guillotines are visible in this photo.
The photo on the left shows a nearly complete original
1792 guillotine with its integral scaffold. Photo is undated but probably taken
around 1918 inside a cathedral in Northern France or Belgium.
The vertical
posts were 3.7 to 4.5 meters tall and made of oak. The grooves for the blade
were carved into the wood and are not lined. The boards for locking the head in
place (the “lunette”) were also made of oak and had no metal liner as on later
machines. Even the lunette tracks were just carved grooves in the wood. There
was no mechanism to hold the lunette open or to lock it in place when closed.
The front and rear support braces were also made of wood and were pinned in
place with dowels making the machine very difficult to disassemble. The bascule
(teeter board) was shorter than on the modern machine but tilted and slid
forward as on the newer version. The slide mechanism was made up of a wood
carriage traveling in wood grooves. The triangular blade was secured to a heavy
oak block which traveled up and down in the post grooves. The blade was hoisted
up with a rope running over two small pulleys lodged in slots within the top
crossbar.
ABSTRACT
ResponderEliminarEl siguiente texto tratará sobre la historia de la guillotina. No pretende sin embargo ser una historia completa o detallada sino más bien una introducción a la misma. El texto muestra cómo la guillotina, instrumento símbolo del castigo moderno tuvo sus antecedentes y cómo fue desarrollándose a lo largo del tiempo. Desde sus comienzos que evocan a su inventor, el doctor Guillotin hasta la creación del símbolo revolucionario con la caída de las cabezas de Luis XVI y María Antonieta. Se muestra entonces su evolución histórica, su generalización y varios de sus elementos que la convirtieron en el instrumento del terror por antonomasia.